![]() Available in up to 5 colors, in 5 sizes ranging from 50 à 850 cm². You receive your transfers cut into the format and ready-to-use. ![]() With the transfer by format, a 48-color Color Guide including special and effect inks is proposed as well as options: Soft touch, transparent medium, antimigration. Some thinness are also difficult to obtain because of the screen printing process: texts or lines below 0.5 Pt (0.2 mm) will not be readable.įor a five-color silk-screen transfer, it is imperative that one of the colors be white. With silk-screen transfer, it is difficult to produce color gradients (except by halftoning): this technique is rather used for solid colors and vector pictures. It offers an excellent result and a small thickness. This technique does not require a color edging and respects the logo designs (where possible, due to the thinness). The silk-screen transfer allows, in a single command, to mark several different fabrics. The multicolor silk-screen transfer allows the printing of visual, from two to five colors, on paper. The transfer is then hot pressed with a professional machine. The silk-screen transfer is a printing with silk screen ink (Pantone) on a paper or polyester medium. Multicolor silk-screen transfer by format Multicolor Extenso technical transfer A3įlexCut Roll Kits (5 meters) including E101 - WHITE 01įlexCut roll kits (5 meters) including colorsįlexCut roll kits (5 meters) including Metallic / Neon.Monocolor Extenso technical transfer A3.Multicolor silk-screen transfer by format.Breakout from the pack with the Riley Hopkins 250 Press. The flashy, all-black press makes print precision affordable with the upgrades of titled micros and locking levers. The 250 will forever be a handy press as you expand your business. When you’re ready to move up into a Riley Hopkins 300 or even automatic, the 250 can be used for smaller orders, overflow jobs, live printing, and more. Best of all, the 250 can continue being an integral piece of equipment in your shop as you grow. The 250 is fantastic for printers up and coming. Screw the press onto a spare table or bench, or place it on the Riley Hopkins Press Cart, which holds six screens and has heavy duty retractable casters for mobility and semi-permanent placement. You’ll have the press up and running in minutes. ![]() To put together the rest of the press, all you need is one Phillips head screwdriver, two ½” wrenches, and two 9/16” wrenches. First off, the press comes to you 90% preassembled. ![]() Perfect for printers looking to run their production in a garage, spare bedroom, or basement, the press is easy to set up. Lastly, the 250 is all black! That’s right, we’re back in black. The locking levers make it easier to tighten and loosen registration, enhancing the precision of registration while lessening the stress on your wrists. The 250 now also has locking levers, the same as the 300 press. The tilted micros ensures screens stay in place during production, minimizing the worries of accidentally bumping the screen out of registration mid-production. Most notable is the addition of tilted micros. The 250 builds on the success of its predecessor, the Riley Jr., with major improvements. Shift your shop into second gear with the new Riley Hopkins 250 Press. It has jumpstarted thousands of printers’ careers with presses that are built like race cars. With more than 30 years of developing high-quality, affordable presses, the Riley Hopkins brand has sold the most manual presses in screen printing history.
0 Comments
Leave a Reply. |